Organizing creatively, facing an increasing threat
Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.
At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.
A multigenerational approach
AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.
Our Actions
We want young feminist activists to play a role in decision-making affecting their rights by:
Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.
Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.
Promoting more effective multigenerational organizing, exploring better ways to work together.
Supporting young feminists to engage in global development processes such as those within the United Nations
Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.
الاستطلاع هذا مخصّص للمجموعات، المنظمات والحركات التي تعمل بالأساس أو فقط على حقوق النساء، أفراد مجتمع الميم - عين، والحقوق الجندرية، في جميع السياقات، على جميع المستويات، وفي جميع المناطق. إن كان واحد من هذه المبادئ اساسًا لمجموعتكم/ن، تنظيمكم/ن أو شبكتكم/ن، أو أي نوع تنظيم آخر، إن كان مسجلاً أم لا، جديداً أو طويل العمر، ندعوكم/ن للإجابة على الاستطلاع.
*في الوقت الحالي، لا نطلب من الأفراد أو الصناديق النسوية أو النسائية تعبئة الاستطلاع.
تعرف على المزيد حول الاستطلاع: راجع/ي الأسئلة الشائعة
Barin integraba la unidad de batalla formada íntegramente por mujeres de la Unidad de Protección del Pueblo Kurdo (YPG).
La mataron cuando estaba en servicio activo.
La periodista libanesa Hifaa Zuaiter escribió: «Barin representa todo lo que hemos oído acerca del coraje de las combatientes kurdas, y su muerte es mucho más que el matar a un rival o el resultado de una lucha política o étnica. El horror de exhibir su cuerpo sólo porque es una mujer surge del hecho de que ella se atrevió a amenazar la hegemonía masculina al convertirse en una combatiente en un campo de batalla que se suponía era solo para hombres».
#MeToo en Chine
Le mouvement #MeToo en Chine s'est enflammé en janvier 2018, impulsé par l'élan du mouvement #MeToo dans le monde entier. Le mouvement était une réponse aux problèmes culturels et systémiques liés au genre et au pouvoir en Chine. Les fondations du mouvement ont été construites pendant des décennies, avec de nombreuses années de débat et de plaidoyer pour l'égalité des genres qui ont finalement jailli en une formidable force à travers la société. #MeToo a été mené principalement par des jeunes, parmi lesquels d'innombrables femmes anonymes et leurs allié·e·s, à la recherche d’opportunités qui leur permettraient de réaliser le "rêve chinois" ultime : transformer la Chine en un pays où règne l'égalité des genres.
L'environnement du mouvement #MeToo est extrêmement hostile en Chine: l'état de droit, l'équité et la transparence de l'action gouvernementale, ainsi que la liberté d'expression ne peuvent être considérés comme acquis par le mouvement en Chine, mais ce sont ces mêmes objectifs pour lesquels i.e.lles se battent. Depuis le début, il s'agit d'une lutte intense, chaque victime ou activiste qui dénonce courre d’énormes risques. Qu'il s'agisse d'être réduit·e au silence, humilié·e, ou de subir des représailles, ou encore de voir sa sécurité mise en péril, chaque succès du mouvement #MeToo a été remporté par celleux qui ont eu le courage d'assumer les coûts de la prise de parole et de défier la censure.
L'exposition #MeToo en Chine a été organisée pour la première fois en 2019 et a effectué une tournée dans 5 villes. L'objectif de l'exposition est de mettre davantage en avant les expériences personnelles des victimes et des activistes et, en prenant part à ces histoires, d'inspirer notre public à se joindre à la lutte. L'exposition est elle-même devenue une partie de la lutte #MeToo; elle a fait face à d’innombrables défis lors de sa tournée à travers la Chine et a même risqué la fermeture à plus d'une occasion.
Укрепить наш коллективный голос и влияние на увеличение и улучшение финансирования феминистских организаций, организаций по защите прав женщин, ЛГБТКИ+ и смежных организаций по всему миру
Jacqueline était une éducatrice malienne pionnière de la cause féministe et nationaliste.
Elle a d’abord enseigné l'anglais au Sénégal avant d'être recrutée en 1961 par le Lycée Philippe Zinda Kaboré à Ouagadougou, au Burkina Faso. Etant donné son engagement militant, elle a pris part au soulèvement populaire du 3 janvier 1966. Entre 1961 et 1966, Jacqueline était par ailleurs responsable de la presse syndicale, La voix des enseignants. Elle a été nommée directrice du Cours normal des jeunes filles (aujourd’hui connu sous le nom de lycée Nelson Mandela) jusqu'en 1974 et s'est consacrée à l'éducation des filles et à la promotion des droits des femmes.
En 1984, elle a reçu le prix Paul G. Hoffmann pour sa contribution remarquable en matière de développement national et international.
Tenderness is the Sharpest Resistance
A Film Series on Asian/Pacific Feminist Realities
Curated by Jess X. Snow With assistance from Kamee Abrahamian and Zoraida Ingles
Across Asia and the Pacific, and all of it’s vast diaspora, fierce women and trans folks have been fighting for a future where they can all be free. As rising sea levels threaten the Pacific islands, and the coasts of continental Asia, the fight to protect other Earth and the Ocean intensifies all over the globe. Our planet stores a geologic memory of everything that it has experienced. The rise of colonization, industrialization, and environmental destruction is connected to the rise of the binary patriarchal nation state. The power within the Earth, to reincarnate, heal, and bloom in the face of violence, must then be connected to the woman, to motherhood, to indigeneity and all forces that are expansive, sacred and queer. It is no coincidence that Feminist Realities unite the fight to protect the rights of women, trans and LGBTQ+ people with the fight to protect the Earth. From mother-daughter protectors of Mauna Kea in the Kingdom of Hawaii, to the complex mother-child relationships of Vietnamese refugees, to queer sexual awakenings in conservative India, the reclaimation of home in Inner Mongolia, to the struggle toward LGBTQ liberation in the Phillipines -- this collection of films is a cosmology of the ways current-day Asian Pacific women and queer and trans folks champion the journey to our collective liberation across oceans and borders.
All of these films have a strong sense of place: indigenous activists protect their sacred lands, youth peel back colonial narratives of their homeland to uncover hidden truths, complex motherhood and relations of care are explored, and characters turn to their own bodies and sexuality as sanctuary when the family and city that surrounds them threaten their safety.
AFTEREARTH
By Jess X. Snow
“A haunting film with stunning shots invoking feminist environmental resistance and how deeply rooted this is in connection to cultural history and land…”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
In the experimental documentary, Afterearth, four women fight to preserve the volcano, ocean, land and air for future generations. Through music, poetry, and heartfelt testimonial that honors locations touched by the Pacific Ocean–Hawaiʻi, the Philippines, China, and North America, Afterearth is a poetic meditation on four women’s intergenerational and feminist relationship to the lands and plants they come from.
STANDING ABOVE THE CLOUDS
By Jalena Keane Lee
In Standing Above the Clouds, Native Hawaiian mother-daughter activists stand together to protect their sacred mountain, Mauna Kea from being used as a site to build one of the world’s largest telescopes. As protectors of Mauna Kea, this film highlights the interconnected relationship between Aloha ʻĀina (love of the land) and love for one’s elders and the future generations to come.
NƯỚC (WATER/HOMELAND)
By Quyên Nguyen-Le
In the experimental narrative short, Nước (Water/Homeland) a Vietnamese-American genderqueer teen challenges dominant narratives of the Vietnam War in Los Angeles, California. Through striking dream sequences and breaks from reality, this film follows their journey to piece together and understand their mother's experience as a Vietnam War refugee.
KAMA’ĀINA
By Kimi Lee
In Kama’āina, a queer sixteen-year-old girl must navigate life on the streets in Oahu, until she eventually finds refuge by way of guidance from an auntie at Pu’uhonua o Wai’anae–Hawaiʻi’s largest organized homeless encampment.
DEVI
By Karishma Dev Dube
In Devi (goddess in Hindi) a young closeted lesbian, Tara risks both family and tradition to embrace her attraction to her family’s maid. Set in New Delhi, Devi is a coming of age story, as it is a commentary on the social and class lines that divide women in contemporary India today.
HEADING SOUTH
By Yuan Yuan
In Heading South, Chasuna, an 8 year old girl, raised by her mother in the Inner Mongolian Plateau, visits her abusive father in the big city. While at her father’s house, she is introduced to a new addition to the family, and must come to terms with the fact that her true home is inseparable from her mother and land.
Outrun
By Johnny Symons & S. Leo Chiang
In the feature film, Outrun, we follow the journey of the first transgender woman in the Philippine Congress. Facing oppression in a predominantly Catholic nation, her triumphant journey becomes an outcry for the rights of LGBTQ+ people globally.
Spanning documentary, narrative, and experimental forms, these films illustrate that community care, self-love, and deep transformative listening between our loved ones is a portal to the Feminist Realities we are bringing into existence today. From all across the Asia Pacific and it’s diaspora, these stories teach us that in the face of violence, tenderness is the sharpest force of resistance.
Jess X. Snow is a film director, artist, pushcart-nominated poet, children’s book author and community arts educator who creates queer asian immigrant stories that transcend borders, binaries and time.
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Georgia's minimum wage is in the bottom percent of all countries in the world. This reality affects mostly women.
The country not only has a significant gender pay gap, but women also work longer, more unregulated hours before going home to take care of housework and their families. There is no maternity pay, no wage increase for overtime work, no unemployment insurance, and no pay for sick leave or other social protection. Pressured by Western organizations, Georgian oligarchic political parties have been implementing reforms that are destroying the welfare state, increasing austerity measures, and worsening worker exploitation - all for the benefits of big corporations which are applauding the country for its “ease of doing business”. Mass media, coerced by private and corporate interests, either remain silent or biased on these issues. Union organizing remains one of the very few options to fight for basic human rights, and for holding the State and corporations accountable in the face of daily, pervasive violations and persecutions, especially against women.
عالمي ومتنوع يعكس وقائع التمويل للتنظيم النسوي على المستوى العالمي ومقسّم حسب المناطق
مقسم حسب النطاق يضع أصوات، وجهات النظر والتجارب المعاشة للحركات النسوية في المركز ويسلط الضوء على ثروتها، شجاعتها وتنوّعها، كل واحدة في نطاقها
مشترك: تم تطوير وتجربة الاستطلاع باستشارة أعضاء/ عضوات جمعية حقوق المرأة في التنمية والشركاء/ الشريكات في الحركة
تكميلي يساهم ويعزّز الأدلة المتواجدة عن وضع التمويل للحركات النسوية والنسائية وحركات العدالة الجندرية من النشطاء/ الناشطات، الممولين/ات النسويين/ات والحلفاء/ الحليفا
متعدد اللغات متاح باللغة العربية، الانجليزية، الفرنسية، البرتغالية، الروسية والاسبانية
إعطاء الأولوية للخصوصية والأمان نحن ملتزمون/ات بالحفاظ على سرية وسلامة بياناتك. اقرأ/ي سياسة الخصوصية الخاصة بنا لمعرفة المزيد حول التدابير التي نتخذها لضمان حماية معلوماتك.
متاح متاح لأشخاص مع درجات سمع، حركة، رؤية، وقدرات فكرية مختلفة، ويحتاج تقريباً 30 دقيقة لإتمامه.
قابل للنسخ يمكن للحركات نسخ الاستطلاع لما يتناسب مع نطاقاتها. ستكون أدوات الاستطلاع متاحة لإجراء أبحاث إضافية ومناصرة مشتركة.
Known as “Ate Liza,” Annaliza was the president of the Agrarian Reform Council for Mindanao Pioneers, an umbrella group in Tacurong City, Philippines.
A loved mother of four, teacher and community leader, Annaliza is remembered by her community as “she who leads when no one wants to lead, she who talks when no one wants to talk, she who stood with courage to help the agrarian reform beneficiaries to own lands.”
Annaliza was shot dead by unknown assailants in front of the Sultan Kudarat State University (SKSU) while on her way to Salabaca National High School in Esperanza.
Her family have said “Naghihintay pa rin kami ng hustisya para sa kanya” (we are still waiting justice for her).
Actores anti-derechos
Capítulo 4
Una red compleja de actores anti-derechos, en constante evolución, está ejerciendo cada vez más influencia en los espacios internacionales y en las políticas nacionales. Respaldados a menudo por financiaciones poco transparentes, estos actores construyen alianzas tácticas sobre distintos temas y cruzando diferentes regiones y credos para aumentar su impacto.
Estamos viendo actores fascistas y fundamentalistas que, si bien tienen un discurso nacionalista, son completamente transnacionales en lo que respecta a sus basamentos ideológicos, sus alianzas políticas y sus redes de financiamiento. En algunos casos, estos grupos están respaldados por flujos financieros poco transparentes vinculados con grandes empresas o con partidos políticos de extrema derecha. Sin embargo, también crean alianzas estratégicas, que incluyen, en algunos casos, segmentos de los movimientos feministas y por los derechos de las mujeres, y se distancian de los elementos más evidentemente extremistas para parecer más legítimos. Los actores anti-derechos también se expanden y replican su estilo de organización antiderechos (ya sea a través de campañas y grupos de presión, o de litigios estratégicos) en todo el planeta.
Índice de contenidos
CitizenGo
Alliance Defending Freedom (ADF)
Financiación de actores antiderechos
Los vínculos entre feministas trans-excluyentes y fundamentalistas cristianxs
Ejercicio: Esquematicemos el panorama
Historia de movimiento de resistencia: Catolicadas, una poderosa herramienta de comunicación para promover la igualdad de género y los derechos sexuales y reproductivos
O objetivo principal do inquérito WITM é chamar a atenção para o estado financeiro dos diversos movimentos feministas, de direitos das mulheres, de justiça de género, de LBTQI+ e de aliados globalmente, e com base nisto, fortalecer ainda mais o argumento para transferir mais recursos de melhor qualidade e poder para os movimentos feministas.
Riham fue una abogada y activista comprometida con el registro y denuncia de las violaciones de derechos en Yemen.
Trabajó junto a otrxs activistas en el suministro de agua y alimentos para la población civil atrapada por las milicias huzíes en las afueras de la ciudad de Taiz.
Riham fue asesinada en febrero de 2018 pero todavía no se confirmó si la mató un francotirador o si fue alcanzada por los disparos de una aeronave. No se ha imputado a nadie por su homicidio.
